This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A pretty sweet 70s set from Art Farmer – ostensibly a tribute to Duke Ellington, but really more of a gently soulful session in the mode of Art's best work of the decade! The group is the Cedar Walton trio with Walton on piano, Sam Jones on bass, and Billy Higgins on drums – all ... CD
Reissue of two of Art Farmer's beautiful albums for Atlantic from the mid 60s! Both records have Farmer playing with modernist-oriented backing – one group is Jim Hall, Steve Swallow, and Walter Perkins; the other is Swallow, Steve Kuhn, and Pete LaRoca. As could be expected, these players ... CD
Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing ... CD
Drummer Alphonse Mouzon cut some of the hardest, heaviest fusion albums ever to hit the Blue Note label in the 70s – including this legendary powerhouse of a record! The set features Mouzon with one of his longtime partners – guitarist Tommy Bolin – hitting a hard-rocking, heavy ... CD
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of ... CD
The most searching and expansive sounding Kendrick Scott Oracle set for Blue Note yet – working here with producer Derrick Hodge and a fantastic group that includes John Ellis on reeds, Taylor Eigsti on keys, Mike Moreno on guitar and Joe Sanders on bass, and DJ Jahi Sundance turntables on a ... CD
A lost session by Hank Mobley – originally recorded in 1966, but not officially issued until 1979, and then only briefly until another short issue in the mid 90s! The record has Mobley really reaching out into a new bag – hitting a more soulfully arranged sound than on some of his ... CD
One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the ... CD