This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
(Includes the printed inner sleeve. Cover has some wear and creases.)
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Maybe the best album ever from this late 70s Motown group – a set that's got the girls really stepping out with a nice degree of power – in a groove that's different than the usual female disco mode of the time! The record's got a much more fully-formed sort of feel – not just a ... LP, Vinyl record album
Smooth modern soul from the team of Curtis Nolen and Raymond Crossley – one of those "all in one" duos that seemed to be cropping up a lot in soul music at the time! Curtis and Raymond wrote, played, and sang on all of the tunes on the album – in a light and sunny style that's ... LP, Vinyl record album
While not as sublime as Edwards' first solo LP, this second set from him is still a great set of mellow modern soul, with a very 80s approach to the production and arrangements. That said you know it's got a good bit of polish and some of the synth touches that are precisely that type of groove we ... LP, Vinyl record album
An unusual set of 80s grooves from The Temptations – a record that still has the group at the top of their vocal powers, but which also changes up the sound of the rhythms a bit! There's more beats and keyboard lines than before – production that definitely shows the date of the record ... LP, Vinyl record album
Mid 80s magic from the Temptations – a record that shouldn't be as great as it is, given the lame title and cover image – but which still has the group working at a top level! There's a lot of strong generational interplay here between the talents of Otis Williams and Ali-Ollie Woodson ... LP, Vinyl record album
A really bold step forward for Norman Connors – a set that's still got all the spiritual jazz elements of his roots, but which also adds in some more soul and funk elements too! Jean Carn delivers some wonderful vocals on the record – at a level that's much more like her early Black ... LP, Vinyl record album
Fantastic bit of Chicago soul, featuring the Dells at their most mature, banked in amazing arrangements by the great Charles Stepney. There's a long version of "Stay In My Corner", plus the great title cut, and two fantastic tracks that have some great John Cage-esque prepared piano on ... LP, Vinyl record album