This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Breathy vocals from the great Julie London – an album recorded early in her years on Liberty Records, but with a slightly full sound overall! Backings are by the orchestra of Pete King – a little heavy on the strings, but never too much so – just enough to give the tunes a sad-tin ... CD
A really rich album by Sarah Vaughan – recorded in Paris in 1958, with orchestrations by Quincy Jones – and large group backing that includes some great tenor work by Zoot Sims! The session's one of Vaughan's most cohesive albums of the period, and although it's got "violins" ... CD
A landmark album for Dusty Springfield – one in which she more than proves her soul music talents, by taking a trip to Memphis, and recording in a sweet Atlantic soul mode! The album's handled by stellar talents all the way through – arrangements by Tom Dowd and Arif Mardin, production ... CD
One of Sarah Vaughan's best albums from the 50s – a swinging live set caught at Chicago's Mister Kelly's night club – and recorded with very small combo backing! The album's a great contrast to some of Sarah's more fully arranged sets of the era – and it features piano from Jimmy ... CD
An incredibly beautiful album from Mark Murphy – proof that his recent resurgence on Verve is a very very good thing! As with his previous album for Verve, Mark's working here with Till Bronner handling production – and the presence of this younger talent really seems to help Murphy ... CD