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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderful crossover club classic! The track's certainly got enough disco to earn its name – but it's also got these cool dark keyboards, jerking along in a Danceteria style that gives the track a very different twist. The cut's quite striking – and the medley flipside has these ... 12-inch, Vinyl record
An obscure 80s groover on Prelude! The record has a choppy funk style, with vocals that might be called "rap", but which are more in that sharp spoken style that you find on some New York slick funk records from the time. Most interesting is that James Mason co-produced and wrote the ... 12-inch, Vinyl record
A Prelude classic from The Strikers – served up here in a doubly-mixed version by the team of Francois K and Larry Levan! The cut builds with a skittish sort of rhythm that has a few post-disco elements – including some cool moogy synthesizer that shows up even more heavily on the ... 12-inch, Vinyl record
A wonderful crossover club classic! The track's certainly got enough disco to earn its name – but it's also got these cool dark keyboards, jerking along in a Danceteria style that gives the track a very different twist! 12-inch, Vinyl record
Genius, pure genius – and one of our favorite Prelude singles ever! "I Hear Music" is one of those tunes that takes a single track and creates a mini-symphony of groove – starting with a snapping catchy 80s groove sort of mode (one that's clearly inspired by Roy Ayers) – ... 12-inch, Vinyl record
A classic early 80s groover by Nick Straker – not really as jazzy as you'd expect, but with some nice piano work that hints at use of the instrument in later house singles. "Space Age" is more of an electro track – with vocoded vocals and lots of keyboards. 12-inch, Vinyl record
A wonderful stepper from the enigmatic Wee Gee! "Hold On" begins with a spare spacey intro, then sneaks into a warm midtempo groove – stepping along underneath some incredibly soulful vocals by Wee Gee that remind us of the best that Teddy Pendergrass had to offer. The real talent ... 12-inch, Vinyl record
A club crossover classic from The Rolling Stones – a track that surprisingly got the group onto the dancefloor in the late 70s, but which still held onto most of their best elements! Although sometimes panned as a cheap disco cash-in effort by some, the tune is actually pretty darn great ... 12-inch, Vinyl record
If you'd told us some years ago we'd be digging for these very 80s sounding singles by RFTW, we'd never have believed you, but their time has certainly come around, in spite of the silly costumes and gheri curls on the cover. 12-inch, Vinyl record
Earlier funk from The Bar-Kays – recorded back in the earlier part of the 70s when the group were recording for Stax, but issued here to cash in on the group's later fame on Mercury! The sound here is surprisingly like the group's later work – still in the heavy funk mode of their Stax ... 12-inch, Vinyl record