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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Warm harmony soul from Marz – sometimes sweet and mellow, sometimes upbeat and grooving – but always done in a tight style that's right on the money all the time! Marz echo a bit of the sound of LA soul in the early 80s – particularly some of the bassier modes of the Solar ... LP, Vinyl record album
Ike and Tina Turner crossed over big by this point in their career – grabbing a lot of ears that were mostly listening to rock music, but who finally got that many of their heroes were influenced by the pair – who were then throwing things back towards all their copycats with a record ... LP, Vinyl record album
One of the greatest soul groups from the UK in the 80s – a real bright spot in the years before Soul II Soul and the rise of acid jazz – and a set we'd rank right up there with Sade's best work of the time! Working Week have a very jazzy sound at their core – acoustic rhythms, ... LP, Vinyl record album
A wonderful album from Sly and crew – moving way past the straight funk approach of earlier records, into a complicated crossover soul style that's filled with warmth and righteousness. Despite the political tone implied by the "riot" in the title and the co-option of the American ... LP, Vinyl record album
A real classic from Chicago soulman Dee Clark – and one of those crazy Vee Jay albums packaged in a cover with an image of young white love! Despite that cloying image, though, the record has a tremendous depth – and is a great illustration of the versatility of Clark at his best, ... LP, Vinyl record album
Marvin Gaye's last album ever – and a sensuous batch of grooves that almost return him to the sound of Let's Get It On! The style here is a bit more modern, but the sound is still great – a smoother approach to soul than most of Gaye's contemporaries at the time, recorded in a way that ... LP, Vinyl record album
Great cuts from the second decade of Marvin Gaye's career at Motown – really magic numbers pulled from that 70s period when he was really taking off with his music! There's a righteous undercurrent here that goes way beyond the simple soul of the 60s – and the set offers a great cross-s ... LP, Vinyl record album
Al Green's last secular album for Hi Records – but still a nice little cooker that's overflowing with Memphis soul! As with Green's previous set for Hi, the album's produced by Al himself, and not Willie Mitchell – in a style that's a bit rougher, chunkier, and almost funkier than the ... LP, Vinyl record album
A groovy record from Jose – with his best kind of crossover feel! It's an unusual title – one that refers to the first track on the record, recorded by Jose Feliciano at age 10 – and the rest of the material included, done when Jose was 23 years old. It's a mixture of American ... LP, Vinyl record album