This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... LP, Vinyl record album
A later session from Bill Evans – but one that features some great work from Lee Konitz on alto and Warne Marsh on tenor – one of Evans' last sessions with horn players! Eddie Gomez plays bass – and titles include "Eiderdown", "Pensativa", "Everytime We ... LP, Vinyl record album
One of the few larger group Bill Evans sessions from the later years – an album that features sax and flute from Larry Schneider and trumpet from Tom Harrell – in addition to core trio instrumentation from Bill on piano, Marc Johnson on bass, and Joe LaBarbera on drums. The added horns ... LP, Vinyl record album
A wonderful late 70s albums from Bill Evans – showing a further evolution of his solo piano/overdub approach! New Conversations is a record that follows strongly on the format of Bill's famous "Conversations" sessions for Verve in the 60s – and like those dates, it features ... LP, Vinyl record album
Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect ... LP, Vinyl record album
Wonderful late work from piano legend Bill Evans – a set that was recorded in 1977, but not issued until after his death in 1980 – at which point it became an instant essential in his catalog! As with so many of Bill's 70s recordings, the session benefits from the bass work of Eddie ... LP, Vinyl record album
A beautiful record of light, lyrical piano jazz – and one of the best-selling jazz albums ever on Fantasy Records! Vince Guaraldi started the set as a tribute to the film Black Orpheus – and some of the album features his nice renditions of Jobim/Bonfa tunes like "Manha De ... LP, Vinyl record album
Soulful Stan, over arrangements by Claus Ogerman! Titles include "Papa T", "Joao", "Birdland", "Nightwings", "Don't Give Up On Us", and "If You Don't Believe". LP, Vinyl record album
One of Cal Tjader's best late 50s dates for Fantasy Records – thanks to some smoking tenor sax from Jose "Chombo" Silva! The album has Cal working in the very comfortable territory of San Francisco's Blackhawk Nightclub – in a combo that also features familiar players Vince ... LP, Vinyl record album
Stanley blows it sweet, mellow, and soulfully – in this wonderful post-CTI session from the 70s! The set features some swirling larger arrangements from Gene Page – done with a bit of the CTI sound lurking in the mix, but also a more complicated groove that almost takes on soundtrack-li ... LP, Vinyl record album
Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hard bop – but they also open up with some sharper, more modern moments at times ... LP, Vinyl record album
The second half of the legendary Jazz At Massey Hall performance from 1953 – a set that features the core rhythm trio, without Charlie Parker and Dizzy Gillespie – a killer lineup that has Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums! The tunes are a bit shorter ... LP, Vinyl record album