Flora Purim : Every Day Every Night (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Every Day Every Night

LP (Item 55117) Warner, 1978 — Condition: Near Mint-
Gatefold
A beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Milestone, 1976. Very Good+ Gatefold
A classic batch of Bay Area Brazilian grooves – recorded in the sweet breezy electric style of the Fantasy studios, and featuring the vocals of the lovely Flora Purim in the lead! The session's got a great mix of Brazilian and American fusion players – including Airto (of course!), Ron ... LP, Vinyl record album
Warner, 1965. Very Good+
The wonderful world of Antonio Carlos Jobim gets a whole lot bigger on this American release from the 60s – thanks to a collaboration with the great Nelson Riddle, the arranger whose work made so many of Frank Sinatra's albums so great! Riddle really understands the jazzy elements at the ... LP, Vinyl record album

Marisa Monte

MM
EMI (Brazil), 1989. Near Mint-
The first album by Marisa Monte, and the start of a fantastic run of records – really strong work that had Monte emerging as maybe one of the strongest new acts in Brazil at the time! The set is live, which is unusual for a debut – and that also makes for energy that's a bit more raw ... LP, Vinyl record album

Milton Nascimento

Milton (1976)
A&M, 1976. Near Mint- Gatefold
An important American album for the great Milton Nascimento – his first recorded in the US since the earlier Courage set for A&M – and like that record, a perfect bridge between the sound of his work in Brazil and the global modes that he had to offer! A key part of the set is the ... LP, Vinyl record album

Paulinho Nogueira

Agua Branca
Eldorado (Brazil), 1983. Near Mint-
An intimate set, and one with a touch of jazz too – thanks to arranger Nelson Ayres, who also plays piano and keyboards on the record! Paulinho Nogueira's vocals are sweetly nestled into some warm-tinged backings – in a way that's not too smooth, but which has a similar feel to some of ... LP, Vinyl record album

Clara Nunes

Clara Morena
Odeon (Brazil), Late 1970s/Early 1980s. Near Mint-
(Cover has a price code sticker in back and is lightly bent near the spine.) LP, Vinyl record album

Elizeth Cardoso & Silvio Caldas

Elizeth Cardoso E Silvio Caldas Vol 2
Copacabana (Brazil), 1971. Very Good- Gatefold
A mixture of samba and mellower numbers – duets by Elizeth and Silvio, set to larger arrangements that still preserve a bit of a rootsy feel on the best tracks. LP, Vinyl record album

Dorival Caymmi & Ary Barroso

Ary – Caymmi (aka Um Interpreta O Outro)
Evento/Odeon (Brazil), 1958. Near Mint-
Late 50s work from these two important Brazilian songwriters – served up here in a cool 70s package! The tracks have a nicely produced quality that makes them some of the most preferred recordings by the two artists – with strong arrangements that set off their voices nicely. There's ... LP, Vinyl record album

Clara Nunes

O Canto Da Guerreira
EMI (Brazil), 1989. Near Mint-
(Cover has light wear.) LP, Vinyl record album

Nana Vasconcelos

Saudades
ECM, 1980. Near Mint-
A really unique album from the legendary percussionist Nana Vasconcelos – one that continues the groundbreaking tradition of his 70s work, but with a very special style here! Some of the tracks use overdubs, so that Nana is mixing berimbau, percussion, voice, and other percussion instruments ... LP, Vinyl record album

Lenita Bruno

Work Of Love
Nucleus, 1967. Sealed
A light and dreamy set of Brazilian vocal tracks – recorded in 1967, and featuring the voice of singer Lenita Bruno, a strong 60s talent with a style that's somewhat like Sylvia Telles. Arrangements on the set are by Clare Fischer – who plays piano, organ, and electric harpsichord in a ... LP, Vinyl record album

John Coltrane & Johnny Hartman

John Coltrane & Johnny Hartman
Impulse, 1963. Near Mint- Gatefold
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... LP, Vinyl record album
 



⇑ Top