Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

In Person

LP (Item 5508) Capitol, 1968 — Condition: Very Good-

Almost everything soulful at Capitol Records in the mid 60s – packed together in one sweet little place! The set's a winner in a great line of Cannonball Adderley live dates from the time – produced by David Axelrod, and done with that great mix of angular, slightly electric groove the combo was virtually pioneering – thanks to help from Joe Zawinul on electric piano, and Nat Adderley on cornet! Cannon also plays some great soprano sax – an instrument that he was taking off beautifully with at the time – and sets fire to a few great tunes with the instrument. But as if that's not enough, Lou Rawls joins in on vocals on a few cuts, and Nancy Wilson comes in on a few more – and the album alternates singing with instrumentals in a really great way. Titles include two very nice extended tracks by Joe Zawinul – "Rumplestiltskin" and "The Scavenger", both of which are over 10 minutes long, and which have the group stretching out in a nice live vein – and other cuts include "The Scene", "Somewhere", "Sweet Emma", and "Zorba".  © 1996-2019, Dusty Groove, Inc.
(Rainbow label stereo pressing. Cover has surface wear and a cutout hole.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Howard Roberts

Guilty!!
Capitol, Late 60s. Near Mint-
Fantastic album of funky guitar tracks by this underrated player. Despite a cheesy Capitol cover, the groove on here is nice and hard, and Roberts guitar is backed by some great organ lines played by a young Dave Grusin. An unexpected place to dig up some nice breaks, like on the version of " ... LP, Vinyl record album
Capitol, 1963. Near Mint-
A great little record – with some very groovy guitar! This is the kind of session that we used to pass up years ago because we never thought it was that pure. Now, though, thanks to beatheads worldwide, the great talents of Howard Roberts' Capitol years are finally getting recognized again. ... LP, Vinyl record album

Howard Roberts

Jaunty-Jolly
Capitol, 1967. Near Mint-
Jaunty is a pretty darn great way to describe the Howard Roberts sound on Capitol Records – upbeat, grooving, and wonderfully well-rounded – bringing in a bit of funk, a bit of bossa, a bit of groovy, and coming up with a whole new sound in the process! Roberts guitar is wonderfully ... LP, Vinyl record album

Howard Roberts

Spinning Wheel
Capitol, Late 60s. Near Mint-
Hip sh*t from Howard Roberts – working here with David Axelrod production, which brings an even cooler edge to his already-great approach to jazzy funk. Tom Scott is on saxes, Dave Grusin plays organ and electric piano, and Roberts' guitar is a lot more unbridled than on some of the other ... LP, Vinyl record album
Capitol, Mid 60s. Near Mint-
A wonderful gem from the great Howard Roberts! This mid 60s Capitol album features the guitarist working with organist Henry Cain – an underdiscovered west coast talent, and a player who's got a nicely stripped-down sound, very much in the vein of Walter Wanderley. Given that Roberts' style ... LP, Vinyl record album
Capitol, Late 40s/Early 50s. Very Good
... LP, Vinyl record album
Capitol, 1954. Very Good+
One of the best Kenton LPs ever, and one that really shows the band's beautiful blend of avant garde playing with a swinging jazz sensibility. Filled with fantastic material played by Lee Konitz, Charlie Mariano, and other Kenton modernists. If you've ever wondered why the Kenton band was so ... LP, Vinyl record album

Bobby Lyle

New Warrior
Capitol, 1978. Very Good
A wonderful record by Bobby Lyle – and a genius blend of jazz, soul, and lots of other righteous sounds! Lyle started out as a keyboardist, but this album really has him taking off as a vocalist too – working in a sweet Roy Ayers-styled groove – one that blends mellow rhythms ... LP, Vinyl record album
Capitol, Late 60s. Very Good
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
Capitol, 1960s. Near Mint-
... LP, Vinyl record album

Jimmy Smith

Sermon!
Blue Note, Early 60s. Near Mint-
One of the Jimmy Smith "jam session" Blue Notes, with a large group that includes Lee Morgan, Lou Donaldson, George Coleman, Tina Brooks, and Art Blakey – nearly all of whom take long solos and dig deep to compete with each other. 3 long tracks, "The Sermon", "JOS&quo ... LP, Vinyl record album

Eddie Harris

Instant Death
Atlantic, 1972. Very Good
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and ... LP, Vinyl record album
 



⇑ Top