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(360 Sound stereo pressing. Cover has light wear.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A later repackaging of the excellent Flying High album – easily the group's best album by far, and unfortunately, too often the toughest one to find! The arrangements here are fantastic, and the material is waaaaaay more hip than the Ellington and Basie stuff that they wasted too much time ... LP, Vinyl record album
An overlooked gem from Carmen – one of her few albums for Columbia from the 60s, and a wonderfully swinging small group session that's got a much more relaxed feel than some of her earlier sets! The album's ostensibly a tribute to Billie Holiday – but it's taken in a way that's ... LP, Vinyl record album
Nice work from Cleo Laine – a 70s set, with backings by Harry Robinson – who gives the record a different vibe than her work with Johnny Dankworth! The maturing Laine style is great – and titles include "Rainy Day Man", "Good Bad But Beautiful", "Slow ... LP, Vinyl record album