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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A really wonderful little record from Pat Metheny – quite possibly our favorite by the man, thanks to some really inventive sounds that still resonate strongly in the groove scene today! Pat's skirting nicely here between the sound-based quality of earlier records, and some of the more fluid ... LP, Vinyl record album
One of Enrico Rava's more over-the-top albums – recorded with a full-on trumpet sound that reminds us a bit of Freddie Hubbard in early CTI years, set into some harder jamming post-Miles arrangements! The backing is by a John Abercrombie on guitar, Palle Danielsoon on bass, and Jon ... LP, Vinyl record album
A wonderful 70s set from trumpeter Manfred Schoof – laidback and mellow, with lots of warm tones at the bottom! Schoof recorded some sets in the 70s with a more avant approach, but this one has a really cool and soulful feel – and bubbles forth with work on electric piano and organ by ... LP, Vinyl record album
Beautiful solo piano work from Paul Bley – spare, stark, and almost lovely – and a real contrast to some of his more aggressive experiments of the late 60s. The Bley here has almost a hint of sadness and longing, especially on the numbers that have him revisiting tunes he'd done on ... LP, Vinyl record album
A whole new kind of trio session for the 70s – one that has the airy, open lines of guitarist John Abercrombie stretching out nicely in the company of drummer Jack DeJohnette and bassist Dave Holland! The music is archetypal ECM work of the time – a complete contrast to a guitar trio ... LP, Vinyl record album
Great early avant on ECM – with Harth on tenor and clarinet, Dieter Herrmann on trombone, Johannes Kramer on guitar, Franz Volhard on cello, Thomas Stowsand on cello and flute, Peter Stock on bass, and Thomas Cremer on percussion and clarinet. LP, Vinyl record album
Precisely the sort of hippy-jazz that made us ridicule the ECM label for years, but saved by some lyrical contributions from Don Cherry and energetic playing by Dom Um Romao and John Abercrombie. Sample seekers take note, there's loads of spacious atmospheric bits on this wide open recording! ... LP, Vinyl record album