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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The crack first LP from the team of Winard Harper on drums and Philip Harper on trumpet – recording in a quintet with Justin Robinson on alto, Stephen Scott on piano, and Michael Bowie on bass! Includes a version of Lee Morgan's "Mogie", plus "Pentagram", "Sonny ... LP, Vinyl record album
"Genius" is right – because Art Tatum's touch on the keys of the piano here is completely sublime – a style unto itself, with almost a near equal balance between melody and rhythm – and a speed that's almost pyrotechnic, but never too over the top! Art's solo here ... LP, Vinyl record album
One of the grooviest albums of the 60s – a sublime blend of jazz, bossa, and easy – and a set that definitely lives up to its title! The album's probably the most perfect realization of the unique groove that Gary McFarland was going for back in the day – a mix of vibes, ... LP, Vinyl record album
The 50s Basie band, loud and proud – recorded beautifully by Verve on the stage of the Newport Jazz Festival in 1957 – a great year, both for the group and the fest! The lineup here features Count Basie firmly at the helm on piano – with players who include Lester Young, Illinois ... LP, Vinyl record album
Surprisingly groovy stuff from Woody Herman and (as the title implies) his updated version of the Herd. Unlike other swing-era bandleaders, Herman was not one to sit still – and as the 60s approached, he was continually updating his sound – as on the funky records he made later for ... LP, Vinyl record album
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums ... LP, Vinyl record album
An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way ... LP, Vinyl record album
A sock-hard set of Detroit soul jazz that's one of Barry Harris' best albums of the 60s! The group on the record is a sextet – with Kenny Dorham on trumpet, Charles McPherson on tenor, and Pepper Adams on baritone – forging a much harder frontline than you'll hear on some of Barry's ... LP, Vinyl record album
This is a late 60's reissue of an early 60's album originally titled In A Minor Groove. These tracks show Dorothy at her early best, and jamming (yes, that's right, jamming) on the harp along with her quartet that included Frank Wess on flute, Herman Wright on bass, and Art Taylor on drums. And ... LP, Vinyl record album
One of the records that put a young Brother Jack McDuff on the map – and a perfect example of the rougher R&B roots that first emerged in his early work on the Hammond! The session's got a much more down-n-dirty feel than some of McDuff's tighter 60s quartet work – and offers a ... LP, Vinyl record album