Landmark club grooves from the great Loleatta Holloway – and a record that definitely has her at the top of the disco game for the 70s! Holloway's working here with a nice variety of arrangers and producers – including Bobby Womack, Norman Harris, Dan Hartman, and Tom Washington – each of whom add some sweet little touches that let Holloway's vocals really take off, and find a space that's even more proud and powerful than ever before! Rhythms have an incessant Salsoul groove – that great approach that was often tightly funky at the core, and which really helped transform a key few singers like Holloway – taking them to the clubs, but without losing any of the depth of their roots. Key proof of this is the sublime leadoff track – "Love Sensation" – one of the greatest Salsoul tracks ever, and maybe one of the best female disco numbers too. The cut's a monster, one of the most anthemic dance tracks of all time – and it's followed by other good numbers that include "Two Became a Crowd", "My Way", and "Short End of the Stick". (Cover has a cutout notch & some wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.