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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
Not as much of a party as you might expect from the title, but quite a lively little album – and possibly one of Zoot's best from the 70s! There's a tightly fluid feel to this record that we really love a lot – not one that's electric or slick, but served up by a great backing trio ... LP, Vinyl record album
A rare treat from Zoot Sims – an album of soprano sax material, recorded in striking contrast to his more familiar tenor! The sound is oddly more traditional than usual – and unlike many other players in the 70s, Sims doesn't use the soprano in a Coltrane-inspired mode, but in a way ... LP, Vinyl record album
An obscure session for Zoot Sims – but a nice one! The group's a quartet – with Johnny Williams on piano, Gus Johnson on drums, and Knobby Totah on bass – and Zoot's blowing in an unfettered setting that reminds us a bit of Sonny Stitt in similar settings at the same time! ... LP, Vinyl record album
Almost a return to the Jazz At The Philharmonic style – an early 70s live set that features work by Ella Fitzgerald, Count Basie, Oscar Peterson, Stan Getz, Eddie Lockjaw Davis, and Roy Eldridge! LP, Vinyl record album
With Butch Miles on drums, Freddie Green on guitar, John Clayton on bass; Danny Turner, Bobby Plater, Eric Dixon, Charlie Fowlkes, and Kenny Hing on saxophone; Wayman Reed, Lyn Biviano, Sonny Cohn, and Pete Minger on trumpets; and Bill Hughes, Mel Wanzo, Fred Wesley, and Dennis Wilson on trombones. ... LP, Vinyl record album
The trio of trumpeters meets the Oscar Peterson 4 – in a session of long tracks that have a liveish feel in the best Dizzy Gillespie mode! Most of the work here is in classic hardbop blowing style – with the trumpeters stating the head, then breaking out into well-voiced solos that ... LP, Vinyl record album
Maybe one of the most famous records ever from master drummer Art Blakey – in part because of the cover, which has come to stand for the Blue Note aesthetic of the 60s! But despite that famous image, the music is more than worthy of attention – as the group features that unusual sextet ... LP, Vinyl record album
An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a ... LP, Vinyl record album
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by ... LP, Vinyl record album