Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Two Sevens Clash

LP (Item 547370) Joe Gibbs/17 North Parade, 1978 — Condition: New Copy
(reissue)

Essential! The mighty debut album from African disciples Culture pairing up with the Mighty Two, Joe Gibbs and Errol Thompson is one of the landmark sets of roots reggae, a defining moment of the genre dropped during the year when two sevens clashed. And though the apocalypse didn't rain down from the skies in '77, this album was certainly a world-changing event, one of the finest moments in Kingston's rich musical history! Gibbs provides the trio with a set of uplifting rhythms over which to harmonize, and Culture comes correct on every track, combining a tightly harmonized approach with a rawer, rootsier sound. 10 tracks in all, including "I'm Alone In The Wilderness", "Pirate Days", "Two Sevens Clash", "Caling Rastafari", "I'm Not Ashamed", 'Get Ready To Ride The Lion To Zion", "Black Starliner Must Come", "Jah Pretty Face", 'See Them A Come" and "Natty Dread Taking Over".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Look How Me Sexy
Greensleeves, 1982. New Copy (reissue)
Linval Thompson is plenty sexy here – singing with that wonderfully sweet vocal style that hearkens back to the earliest reggae years in Kingston – but with a deeper instrumental vibe that has a much deeper bottom! The Roots Radics provide the backings, and they hit this great laidback ... LP, Vinyl record album
Eastman Dub
RAS/Greensleeves, Late 70s/1980s. New Copy (reissue)
A masterful collection of Pablo-produced dub versions! The first half or so is stacked pretty heavily with soul-stirring dub versions based on the Let's Get Started record by Tetrack – a roots classic from the late 70s that was produced by Pablo – and closess with some equally great, ... LP, Vinyl record album
None A Jah Jah Children
17 North Parade, Mid 70s. New Copy
Righteous sounds from Ras Michael and The Sons Of Negus – easily one of the most powerful groups of the rastafari years in reggae! The album's got a very deep feel right from the start – not just because the lyrics and vocals are very powerful, but also because the group features a ... LP, Vinyl record album
17 North Parade (UK), Mid 70s. New Copy 2LP Gatefold
A classic compilation – and we can't get enough of Horace Andy's sweet falsetto keening over these chugging, fat rhythms! A tremendous set of sides Andy cut in the mid-70s, packaged together with a few of the cuts in dub versions – all from a period when Horace was really hitting new ... LP, Vinyl record album
Jah Fire
17 North Parade, 1981. New Copy (reissue)
Classic early 80s roots headlined by the soothingly soulful voice of Hugh Mundell – not too terribly long before his tragic early departure from our world! Hugh gets top billing, despite their being a couple more tracks on the sides sung by Lacksley Castell – but it's all wonderful ... LP, Vinyl record album
King David's Melody
Greensleeves, 1983. New Copy (reissue)
A spiritual classic from Augustus Pablo – and a set that some consider his masterpiece! The album has Pablo completely in charge – producing, arranging, and really getting a chance to make the kind of music that showcases his righteous vision – instrumentals that have his own ... LP, Vinyl record album
Rockstone
Colemine, 2018. New Copy Gatefold
A sweet second album from Jr Thomas & The Volcanos – a contemporary group, but one who get the sound of late 60s Kingston just right! These guys are to reggae and rocksteady what the Dap-Kings are to classic funk – younger modern artists who are completely devoted to finding the ... LP, Vinyl record album
Mr Perry I Presume
Pressure Sounds (UK), Mid 70s. New Copy 2LP
A wealth of unreleased tracks and unreleased mixes from the studios of the mighty Lee Scratch Perry – material that was mostly recorded during a very fruitful time in the mid 70s, when Lee was turning out a fair bit of tracks that were only issued on one-off dub plates, to be spun by only the ... LP, Vinyl record album
Daptone, 2016. New Copy
The Frightnrs have plenty more to say here – and they say it in a really sharp-edged approximation of older rocksteady modes! The group are contemporary, but like the best acts on Daptone, they've got an instantly classic feel – thanks to instrumentation and production that take us ... LP, Vinyl record album
Trojan/Dub Store (Japan), 1969. New Copy (reissue)
A classic early reggae collection on Trojan Records – so early, the back cover notes refer to the sounds as "West Indian popular music" – instead of by any sort of specific genre or style! There's a strongly unified vibe to the set – as all tracks are late 60s ... LP, Vinyl record album
Super Dub Disco Style
Pressure Sounds (UK), Late 70s. New Copy
Don't think "disco" as in the New York scene at Studio 54 – as these cuts are much deeper and dubbier – served up under the supervision of Bunny Lee by studio maestros Barnabas and Pat Kelly! Instrumentation is by the Aggrovators, but the magic comes equally from the ... LP, Vinyl record album
Pressure Sounds (UK), 1982. New Copy
A fantastic set from a very righteous group – one whose name means "unity" in Swahili, and who definitely work here with such a groove! The album's got a perfect blend of rockers energy and deeper dubby sensibilities – very complex in construction, but coming across with this ... LP, Vinyl record album
 



⇑ Top