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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An excellent soundtrack to this early 70s thriller that starred George C Scott! Jerry Goldsmith has come up with some strong action themes that are very much in a Lalo Schifrin mode – mixing guitar, electric harpsichord, and strings with a harder-edged groove so that there's a lot of space ... LP, Vinyl record album
An amazing little record – not only a fab 60s soundtrack, but a rare non-Blue Note 60s album by Herbie Hancock! The set was recorded for the film Blow Up – an incredibly dark thriller by Michaelangelo Antonioni, set in swinging London of the 60s, which provided a very groovy backdrop ... LP, Vinyl record album
One of the greatest spy soundtracks of the 60s – a very groovy batch of tracks written for Stefanie Powers' brief TV show, The Girl From UNCLE! The music here is better than the male version of the UNCLE franchise – hip 60s spy themes, done in a groovy style for the television audience ... LP, Vinyl record album
Wild Quincy Jones score for this lost film starring Sidney Poitier. There's a wide mix of material on here – with some soul tracks by The Mirettes and Ernestine Anderson, some bluesy stuff by Nate Turner, and a few groovy instrumentals by Quincy, including "Slum Creeper" and "U ... LP, Vinyl record album
Like the music in most of John Cassavetes films, this LP's a weird mish mash of styles, sounds, and snippets – but it's also got a very emotional edge to it, like all of Cassavetes' films. Jack Ackerman did most of the music, and Teo Macero arranged and conducted all of it. Weird stuff, but ... LP, Vinyl record album