This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Early Sonny Rollins work for Prestige – recorded in the years 1951 and 1953, in a variety of settings! 4 tracks on the album features Rollins blowing with the MJQ, one more has him working with a Miles Davis group, and the last 8 feature a quartet with Kenny Drew, Percy Heath, and Art Blakey. ... CD
Features Sonny Rollins on tenor, Clifton Anderson on trombone, Mark Soskin on keys, Jerome Harris on bass, and Marvin "Smitty" Smith on drums. Tracks include "Just Once", "Promise", "Duke Of Iron", "Allison", and "Dancing In The Dark". CD
Key recordings from Sonny's breakout year of 1954 – tracks from 2 different sessions, brought together into one album that packs a hell of a punch! The modernist Rollins tenor is at its early peak here – fresh, bold, and highly creative – yet equally concerned with the role of ... CD
Features Branford Marsalis on tenor, Mark Soskin or Tommy Flangan on piano, Jerome Harris on guitar, and Clifton Anderson on trombone, and Jack Dejohnette on drums. Titles include "Sister", "Little Girl Blue", "For All We Know",a nd "I Should Care". CD
If worktime was like this for us, you'd catch us showing up on the job early every day – but sadly, nothing at our office can match the brilliance of early Sonny Rollins here – a sharp-edged genius that perfectly illustrates why he was one of the greatest players on his horn for many ... CD
Crucial late work from Duke – as modern as The Whitney itself! The material was recorded live in performance at the Whitney Museum of American Art in 1972 – with Duke on piano, Joe Benjamin on bass, and Rufus Jones on drums – and it's got that angular, spare, fragile approach of ... CD
Brilliant work – John Coltrane really opening up in his new spiritual mode of the 60s, hinting at the changes to come, while still keeping the modal groove of previous recordings! The record features tracks from a few different sessions from the years 1961 to 1963, but it holds together ... CD
A classic of spiritual, soulful jazz – and one of Archie Shepp's greatest albums! The set was recorded in New York after a few free and festive years in Paris, and it's an amazing about-face that has Archie stepping into a world of righteous, full-on, political, and funky themes – the ... CD
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... CD
Incredible work from John Coltrane's Newport Jazz Festival sets from 1963 and 1965 – totally amazing work from Trane and his superior quartet of McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – nearly 1 1/2 hours of essential avant garde! This CD features a trio ... CD
Sweet Latin licks from Clark Terry and Chico O'Farrill – cut in a mode that's very similar to O'Farrill's best Verve work of the 60s! The vibe is kind of a mod take on Afro Cuban sounds – not really Latin soul, but with a playful vibe that mixes together jazz and Latin with equal parts ... CD
A long overdue testament to the live genius of the mighty John Coltrane Quartet – captured at the legendary Half Note club in NYC – disc 1 recorded on a date in March 1965 and disc 2 on a date in early May of the same year! The set finds Coltrane plus McCoy Tyner on piano, Jimmy ... CD