Oscar Peterson : Oscar Peterson Trio Live At The London House (The Trio/Sound Of The Trio/Put On A Happy Face/Something Warm/unissued tracks) (5CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
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Condition Notes
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A key example of the popularity of the Oscar Peterson Trio in the mid 60s – an album of tracks that listeners wanted to hear done in the group's familiar style – that wonderful way of soulful inflection that Oscar had when he shifted up the lineup of the trio at the start of the 60s! ... CD
Notable sidemen include Bert Brown, Franck Gariepy, Armand Samson, Roland Verdon, Russ Dufort, Albert King, Mark Wilkinson, Auston Roberts, Claren Jones and Ben Johnson. CD
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... CD
A jazz treasure chest – an extraordinary bounty of Bird on Verve! You get absolutely everything here, master takes, alternate takes, loads of previously unissued material, rehearsals, incomplete takes, you get it all! Sidemen include Benny Carter, Kenny Clarke, Miles Davis, Roy Eldridge, ... CD
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same ... CD
Christian McBride on bass – with Joshua Redman on saxophone, Steve Turre on trombone, Roy Hargrove on trumpet and flugelhorn, Cyrus Chestnut on piano, and Lewis Nash on drums. CD
Features John Scofield on guitars – with Mark De Gli Antonio on keyboards, Chris Wood and Tony Scherr on basses, Eric Kalb and Kenny Wollesen on drums, and Johnny Durkin and Johnny Almendra on percussion. CD
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop ... CD