This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the best-ever recordings by Herb Jeffries – a smooth-toned jazz singer from the 50s, with a style that's very much in the mode of contemporaries like Al Hibbler or Billy Eckstine, with a nice cheesecake cover too! The backings are what make this set great – as Russ Garcia has ... CD
Beautifully icy vocals from the amazing Chris Connor – the kind of record that set a new standard for vocal jazz back in the 50s! The session's a small group one – with Chris singing intimately alongside backing from Herbie Mann on flute and tenor, Kai Winding and JJ Johnson on ... CD
A split album that features 13 tracks by Carmen McRae with the Mat Mathews quartet, plus 4 more obscure numbers by Julie London, recording with the quartet of Tony Scott. The McRae material is some of her best jazz work from the time – cut in that perfect small group vocal mode that was one ... CD
A great set that brings together rare work by two lost female jazz vocalists from the 50s! Both Audrey Morris and Paula Castle recorded for the Bethlehem label during the time – in a cool, icy style that was similar to work by the label's more famous singer, Chris Connor – and both ... CD
A nice little album from Johnny Hartman – recorded back in the mid 50s for Bethlehem, in the years before he recorded his more famous dates for the Impulse label! The set has Johnny singing nice and mellow – with backing by a group led by pianist Ralph Sharon, one of Tony Bennett's ... CD
The complete works of Helen Carr – one of the best female jazz singers to record for the Bethlehem label, and an icy-voiced siren with a wonderful style. The set features 20 tracks in all – lifted from one full LP and a shorter 10" set – and all cuts feature small group ... CD
A pivotal set from Cassanda Wilson – and a record that firmly established her as one of the freshest new singers in jazz at the time! The album's awash in rootsy, dusky tones – and has an earthiness that's clearly inspired by older blues, but expressed by Cassandra in voicings that are ... CD
Early work by Carmen McRae – and a wonderfully titled set that's certainly Torchy all the way through! Carmen's singing in a lush, romantic style – working with backings from Jack Pleis and Ralph Burns – in a mode that features larger orchestrations, but which still very much has ... CD
How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an ... CD