This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note – and a record that really hints at the majesty he'd attain on record in the 70s! The album features Tyner's piano at the head of a large group that includes Lee Morgan on trumpet, Julian Priester on ... CD
A great album from McCoy Tyner – a set that's steeped in the modal soulfulness of his years with John Coltrane, but also handled in a way that really has him breaking away from the pack a bit! Half the album's played with a trio that features Jimmy Garrison on bass – but the strongest ... CD
A bold trio set from McCoy Tyner – almost bolder than some of his larger group records of the 70s – a live performance done in Tokyo, with superb accompaniment from Ron Carter on bass and Tony Williams on drums! The trio's got a force that grabs us right from the get-go – that ... CD
With Joe Ford on alto saxophone, Doug Harris on flute and alto saxophone, Avery Sharpe on bass, Aaron Scott on drums, John Clark on french horn, Jerry Gonzalez on trumpet and percussion, Billy Harper and John Stubblefield on tenor saxophones, Frank Lucy and Steve Turre on trombones, Earl Gardner, ... CD
As pure a distillation of McCoy Tyner's lyrical vision as one could ever hope for – a brilliant early standout session for the pianist as a leader! McCoy is backed up here by the energetic drumming of Elvin Jones – with whom he shares a natural empathy from their many years together ... CD
A return to funky grooving for Medeski, Martin, & Wood – and a slamming set that really captures the energy of the group in performance! The trio move effortlessly through tight Hammond grooving and off-beat jazzy piano work, riffing hard in the jam-band mode that's made them a huge ... CD
A true orgy in rhythm from Art Blakey – a set that not only features his drums next to the kit of Art Taylor, but which also adds in a bevy of other percussionists – including Sabu Martinez, Patato Valdez, and Jose Valentine! Joe Jones and Specs Wright also bring in additional jazz ... CD
A great selection of some of Bobbi's funkiest tracks for Blue Note – with a focus on the tunes that have been big with the sample crowd over the past decade, all of which (no coincidence, thinks us!) are produced by the great Larry Mizell! Tracks include "Harlem River Drive", " ... CD
A great set that brings together early material that trombone giant JJ Johnson cut for Blue Note as a leader – sides that already mark his approach to the instrument as one of the most distinct of the time, and which pave the way for all the greatness that Johnson would bring to jazz in years ... CD
A surprisingly nice little album – a Jimmy Smith Blue Note session dedicated to Fats Waller, one of the first jazz musicians to work out his skills on the organ! Jimmy's working with a tight trio that includes Quentin Warren on guitar and Donald Bailey on drums – and although Waller ... CD
A landmark album that had one of the best versions of the Jazz Messengers taking a big step forward – thanks to some increased songwriting by the group's young tenor genius – Wayne Shorter! Shorter's tunes take up all of the second half of the record, and all of them have gone onto ... CD