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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A cool cooker from altoist Hank Crawford – cut in a tightly-grooving ensemble mode that really reflects his roots with Ray Charles! The tunes are mostly short, but have a great sense of personality – a vibrant approach that comes not just from Hank's lead solos, but also from the group ... LP, Vinyl record album
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics ... LP, Vinyl record album
While we have never really gone nuts for much of the MJQ's recorded work, Milt Jackson's recordings as a leader outside the group had a more soulful approach than the colder MJQ albums. This set for Atlantic features players like Jimmy Heath and Tommy Flanagan alongside Milt, and has nice buoyant ... LP, Vinyl record album
A nicely spare little set from Jean Luc Ponty – one that has him working on both keyboards and violin, sometimes with little else for accompaniment! The sound is compressed and tight, but still in the fusion mode of Jean Luc's 70s work – and although most of the music here comes from ... LP, Vinyl record album
Hip work from both players – and Jarrett plays electric piano and soprano sax too – in a group that also features Sam Brown on guitar, Steve Swallow on bass, and Bill Goodwin on drums. Titles include "Como En Vietnam", "Fortune Smiles", "The Raven Speaks", ... LP, Vinyl record album
A moody early 60s set by the MJQ for Atlantic. Overall the group rolls and swings in a bit rougher mode than they do on their brighter efforts, but they still hit the sweet spot and swing when the mood fits! The record works best when Milt Jackson's vibes are let loose, as on the playful reading ... LP, Vinyl record album
A sweet soulful set from drummer Grasella Oliphant – one of two legendary albums cut for Atlantic Records in the 60s – and the one with a very heavy-hitting lineup! The vibe here is somewhere between Blue Note Hammond dates and soul jazz on Prestige Records in the mid 60s – as ... LP, Vinyl record album
An incredible collaboration from John Coltrane and Milt Jackson – and one that gives Milt one of his sharpest records ever! The setting is relatively straight – tenor from Coltrane, vibes from Jackson – plus rhythm from Hank Jones on piano, Paul Chambers on bass, and Connie Kay ... LP, Vinyl record album
A great album of bossa groovers, recorded by Herbie in the early days of the US bossa boom – and with a sound that's right on the money! The backing's very lively, and the tracks have a tight bossa sound that's quite authentic. Herbie's flute is livelier than usual, and on a set like this, ... LP, Vinyl record album