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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An unusual set from the legendary vocalist Chris Connor – a record that's graced with a boozy later image of Chris on the front, but which features a host of rare gems from her late 50s years at Atlantic Records! There's some really wonderful work on the record that easily matches, if not ... LP, Vinyl record album
One of the most compelling early albums recorded by Chris Connor for Bethlehem – a sweet little 10" session that was part of her initial "lullabies" series! The backings on the set are extremely haunting – played by the Vinnie Burke Quartet, with a lineup that includes ... LP, Vinyl record album
One of Chris Connor's most obscure albums from the 60s – and one of her nicest too! The record's got a less polished feel than some of Connor's work for Atlantic or ABC – recorded live at the Village Gate, and divided up into "late" and "early" shows that both have ... LP, Vinyl record album
A beautiful title for a beautiful record – one that sums up the subtle sense of sadness that makes the work of Chris Connor so great! There's a sense of longing here that steps out from the very first tune – one that's beautifully moody, without being overindulgent or too emotive. ... LP, Vinyl record album
A nice little live set from Chris – recorded at the Village Vanguard with a group that includes Kenny Burrell on guitar, Eddie De Haas on bass, Bill Rubenstein on piano, and Lex Humphries on drums. The setting of the album is similar to some of Chris' work at Bethlehem – very small ... LP, Vinyl record album
A great little record by Bobby – recorded hot on the heels of his big hit recording of "If I Were A Carpenter", and with a surprising respect for Tim Hardin and a lot of the other young songwriters of the post-folk years. Keep in mind that Darin was really feeling his mortality at ... LP, Vinyl record album
A great issue of some of Billie Holiday's classic sides for the Commodore label – a company she didn't work with often, but home to some of her best material of the early years! The tracks here were mostly recorded in 1944, but the set also features some early bits from 1939 as well – ... LP, Vinyl record album
One of Bobby D's albums from his confused period in the mid 60s! Sounds sort of goofy, but it actually works, thanks to some swinging arrangements by Roger Kellaway, and the pep and zip of the score. Plus, the cover's got Bobby leaning on a push me-pull me, with a doctor's bag and a big stovepipe ... LP, Vinyl record album
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his ... LP, Vinyl record album
Probably the best-ever album by this obscure bluesy singer from Chicago! Jimmy Giuffre handled the arrangements, and the record has a bit more polish than some of her other albums. The tracks feature some very nice jazzy arrangements – with Jim Hall on guitar, Jimmy Jones on piano, and ... LP, Vinyl record album