This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great bit of soulful fusion from drummer Peter Erskine – one of the few albums he made as a leader of this nature, even though his playing graced lots of other wonderful records at the time! The approach here is tight, but never too much so – smooth, but never slick – a warmly ... CD
One of Archie Shepp's most fragile and most beautiful albums – a set of mellower tunes dedicated to John Coltrane, played on tenor and soprano sax with support from a trio that includes Albert Dailey on piano, Reggie Workman on bass, and Charlie Persip on drums! The album's a real standout ... CD
A wonderful album for all those folks who ever crabbed about Shepp going back "inside" during the late 70s! The record is straight jazz – not as righteous as Attica Blues or some of the other Impulse albums, yet done with a wonderfully soulful quality that shows that even without a ... CD
One of the best dates ever as a leader from trumpeter Joe Wilder – and one of the few to have a really relaxed, open sort of format! Joe's not tied up in gimmicks or larger groups here – and he really sparkles in the company of a quartet that features Hank Jones on piano, Wendell ... CD
Great early work from Eliane Elias – Brazilian-influenced rhythms, warm piano lines, and a surprising undercurrent of soul! The set features Eliane strongly out front on acoustic piano – working with some elements of other American jazz at the time – kind of that post-fusion ... CD
A nice early 70s session from Charles Mingus – and in interesting one, to boot – finding the legendary bassist in Japan leading his own group and Toshiyuki Miyama and his New Herd Orchestra! Mingus's American players included Bobbie Jones on tenor and clarinet, Eddie Preston on trumpet. ... CD
An amazing collection – especially since Clifford Brown died before giving the world that many key records – which makes these French sessions from 1953 a very important part of his catalog! The set captures Brownie at his modern best – really making the move past straighter bop, ... CD
Includes the songs "I Got Rhythm", "Crazy Rhythm", "My Melancholy Baby", "Jeepers Creepers", "Sweet Georgia Brown", "Honeysuckle Rose", "Liza", "Nuages", "Nuits De Saint Germain Des Pres", "Just One Of ... CD
Alex Coke on flute and sax, Carl Michel on guitar, Bob Hoffner on pedal steel guitar, Eliane Barber on harp, Carolyn Trowbridge on vibes, and James Sutter on bass. CD
That's two new sides to be exact! The first session features Miles Davis, Al Haig, Tommy Potter and Max Roach. The second replaces Davis with Kenny Dorham and adds Lucky Thompson and Milt Jackson. Tracks include "52nd St. Theme", "Slow Boat To China", "Hot House" and ... CD