This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Arrangements by Thad Jones and JJ Johnson – with titles that include "Sposin", "I Left My Heart In San Francisco", "All Alone", "The Sweetest Sounds", "On The Other Side Of The tracks", "I Had A Ball", and "I Want To Be ... LP, Vinyl record album
One of Vaughan's nice jazz sides from the 50s on EmArcy, but cut with slightly larger backing, almost in the vein of some here concurrent pop oriented work at the Mercury parent label during the same time. Arrangements are by Hal Mooney, and Vaughan takes an approach that showcases how she ... LP, Vinyl record album
One of the more obscure albums by Lambert, Hendricks, and Ross – a session of Basie tunes, performed with backing by the Count, plus additional lead vocals by Joe Williams, the voice most closely associated with the Basie group at the time! The style is similar to the trio's Sing A Song Of ... LP, Vinyl record album