This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A key fusion set from Sadao Watanabe – a record that has him moving away from some of the bolder tones of the early 70s, into warmly soulful territory that would him him find a much bigger international audience! The album's still got a nice sharp edge, though – as it's recorded in ... CD
Tight later work from Jo Jones – a set that's got all the swinging energy of the early years, but also a relaxed vibe that's mighty nice too! There's a good quality to the recording – as it's one of those killer 70s sessions done for Denon in Japan – and Jones is clearly in ... CD
One of the few albums we've ever seen as a leader from Eddie Gomez – the bassist whose work with Bill Evans and others was such a huge contribution to jazz in the late 60s and 1970s! Eddie's working here in a trio format that's a fair bit more harder-grooving than his years with Evans – ... CD
A post-Basie session from the Count Basie Orchestra – recorded after the Count had passed away, and Frank Foster returned from his wayward years to assume leadership of the group! The sound here is very much in the best Basie mode of the late 50s and early 60s – extremely fluid large ... CD
The Basie Orchestra pays tribute to their departed Count – and the groove here is every bit the sort you'd expect from the ensemble at their height! Frank Foster's in the lead with the group at this point, and he's definitely back in the Basie bag, after stretching out soulfully on his own ... CD
Warm and lyrical solo piano work from Tommy Flanagan – a Japanese only session from the mid 70s, and one of the first of a long run of well-produced dates that Flanagan would do for that market! The format's even more intimate than the relaxed setting of some of Tommy's American dates of the ... CD
Composed and conducted by Jim Knapp, Paul Taub on flutes, Mark Taylor and Steve Treseler on alto and soprano saxophone, Stuart MacDonald on tenor saxophone, Jim Dejoie on baritone saxophone, clarinets, and flute, Brad Allison, Vern Sielert, and Jay Thomas on trumpet, flugelhorn, Tom Varner on ... CD