This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Andrew Hill works mostly in a trio here – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great ... CD
A wonderful comeback from the great Andrew Hill – a sweet return to the Blue Note label, after dropping off the recording scene a bit at the end of the 70s! Hill first rose to greatness on the label, and returns to the same here too – in a mode that echoes the edges of his "new ... CD
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group ... CD
A fantastic session by this groundbreaking modernist – essentially a piano trio album, but recorded with two bass players – Richard Davis and Eddie Kahn – one of whom plays rhythm, the other who solos along with Hill – which makes for a really amazing sound – ... CD
A rare and beautiful Andrew Hill session, and one of the classic Blue Note entries into the "jazz and voices" sound that the label pioneered with Donald Byrd and Eddie Gale. Hill leads a core jazz group that includes Woody Shaw on trumpet, Carlos Garnett on tenor, Richard Davis on bass, ... CD
Mindblowing work from pianist Andrew Hill – one of the key records during that short initial run when Blue Note was really giving him a special showcase for his talents – and when the label was dabbling in more avant jazz as part of the "new thing" moment on the scene! The ... CD
A long-unavailable album from Andrew Hill – a quartet date that's filled with jagged edges and bold fragments of sound! The material was recorded in the 60s, but not issued at the time – and only appeared briefly in the mid 70s as part of a Sam Rivers 2LP set titled Involution. There's ... CD
Quite possibly our favorite album ever from pianist Andrew Hill – a really unique outing that features the vibes of Bobby Hutcherson and a rare non-Sun Ra appearance by tenorist John Gilmore! The presence of Hutcherson brings a real "new thing" energy to the album – a feel ... CD
Astounding work from pianist Andrew Hill – a rare session that was recorded for Blue Note in 1969, and issued here for the first time! The work has an extremely ambitious approach – with Hill leading a 9 piece group that includes Woody Shaw, Dizzy Reece, Julian Priester on trombone, ... CD
Lee Morgan on the hippest side of his 60s talents – working here in a style that's really stretching out, and in the same territory as similar unreleased gems from the time – like Tom Cat or Sonic Boom! The group here is very inventive – Jackie McLean on alto, Larry Willis on ... CD