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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Completely Sublime work from Lucas Arruda – an artist we love more and more with each new record – and one that we can't believe isn't a huge global success by this point! Lucas has a way of mixing together older Brazilian modes – a bit of funk, a bit of jazz, and plenty of soul ... CD
Beautiful Latin-styled jazz – not really New York or Cuban, but also not Brazilian either – and instead this really wonderful hybrid of sounds that's cooked up by guitarist Angelo Noce Santoro – a player with roots in psych and prog! This album's not any of that, though – ... CD
Caetano Veloso at the end of the 70s – still sounding wonderful, but in ways that are quite different from his earliest albums! The sound here is more restrained, and more mature – a beautiful example of the songwriting strength that Veloso evolved as his career moved on – tunes ... CD
An incredible little record – and the set where it really all comes together for this legendary funky jazz group! Azymuth were already great on their debut, although maybe a little experimental at times – but here, they really find the soulful groove that later got them big fame on the ... CD
A great introduction to the music of Ana Caram – an early session recorded both in London and Brazil – with all the great mix of modes that might imply! The album's breathy and bossa in some spots, but full and jazzy in others – and Ana's equally at home in both settings! Some ... CD
Essential Brazilian rock from the 70s! Secos e Molhados were a post-Tropicalia group that drew on some of the work of Brazilian groups before them, and mixed it up with hard rock and glam styles that were coming from America and the UK. The leader of the group was singer Ney Matogrosso, who went ... CD
A stunning mix of talents that brings the heavenly piano and guitar of Antonio Carlos Jobim into play with the lush, but light arrangements of Claus Ogerman – a swirling mix of post-bossa loveliness that redefines Jobim's sound, and opens up new avenues for exploration in sound! The ... CD
A classic album by Maysa – one of Brazil's most evocative vocalists of the 60s, recorded here in a lovely session of bossa tunes that begins with her stunning reading of "O Barquinho"! There's a core jazz group backing Maysa up – and strings and larger orchestrations drift ... CD
Funky jazz breaks from Skalpel – a really excellent set throughout, and one that's a lot warmer than the group's earlier work! The drums are heavy, the tracks are tight, but most importantly, the album's awash in warm instrumentation that includes acoustic bass, soulful horn parts, and some ... CD
Peven Everett sends a letter out to his huge European fan base – but the sound here is every bit as great as his other Chicago-crafted grooves! The rhythms are a bit upbeat this time around – not really house, but a warmly flowing sort of style – that trance-like mode that Peven ... CD