This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A smoking live set from Cannonball Adderley – one recorded in a space between his famous concert albums for Riverside and Capitol Records – and equally as great as any of them! The group's got a slightly unique lineup – in that Charles Lloyd is in the combo on tenor sax – ... CD
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the ... CD
A huge amount of early material by Cannonball Adderley – 3 full albums for Mercury Records, plus live material from a variety of different settings! First in the set is the album Sophisticated Swing, a record that swings all the way – and it features a young Cannon blowing hard with a ... CD
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with ... CD
An unusual little record from Art Blakey – a live set recorded at the Lighthouse in 1966, with a band that includes the surprising lineup of Keith Jarrett on piano and Chuck Mangione on trumpet! If you're surprised at the mix of players, and figure that they won't groove with Blakey's ... CD
A seminal piece of west coast bop from the mid 50s – featuring altoist Geller in group with wife Lorraine on piano, and either Curtis Counce or Leroy Vinnegar on bass, and either Larry Marable or Eldridge Freeman on drums. The groove's nice and hard, nice and stripped-down – and Geller ... CD
Bold work from saxophonist James Carter – soulful one minute, modern the next – and definitely the sort of session that shows the full range of his mighty powers! Carter's possibly best known for his work on tenor, but the date also has him playing flute, baritone, soprano, and bass ... CD
It's been a decade since the last album as a leader from trombonist Clifton Anderson, but it's definitely been worth the wait – as the player has matured wonderfully over the years, working often with Sonny Rollins, and really finding his sense of space and soul! Anderson's got a very well-de ... CD
A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead ... CD