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Bee Hive Session – Unissued Tunes Vol 1

LP (Item 538300) Beehive, Late 70s — Condition: Used

A treasure trove of rare jazz recordings – all material that was cut during the short run of the Beehive label – that excellent Chicago imprint that was based along the ideals of recordings first put in place by Blue Note and Prestige! Beehive also grabbed a lot of players who worked for those older labels, and gave them some of their best showcase in the studio – as you'll hear here on tracks that include a version of "Moonlight In Vermont", with Johnny Hartman on vocals and Al Gafa on guitar; "Like Someone In Love" with Sal Nistico on tenor and Ronnie Mathews on piano; "Blues In F" by the Walter Davis Jr piano trio; "Stablemates" performed by a sextet with Nick Brignola on alto, Pepper Adams on baritone, and Ted Curson on trumpet; and the titles "On Green Dolphin Street" and "Blues In The Closet", played by Sal Salvador on guitar, Eddie Bert on trombone, Nick Brignola on baritone, Derek Smith on piano, Sam Jones on bass, and Mel Lewis on drums. (Red vinyl pressing. NOTE – This copy no longer has the cover, and comes in a plain sleeve.)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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