This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Nothing crazy and mixed up here, but a wonderful later date from Sarah Vaughan – one that's recorded with subtly sophisticated brilliance! The setting is easygoing and relaxed – far more so than most of Vaughan's records from many years past – and backing is provided by Roland ... CD
One of the fuller-sounding albums recorded by Sarah Vaughan for Emarcy in the 50s – a set of George Gershwin numbers, mostly set to large studio backings directed by Hal Mooney! The lush approach is a nice one for Vaughan, and an early hint of her talents in such a setting – one that ... CD
Very nice jazz-oriented material that has Sarah working with Jimmy Jones, one of her best accompanists, or John Malachi, who was in Billy Eckstine's band at the same time Sarah was with the group. All the tracks have nice small combo instrumentation – and Sarah keeps things nice and warm ... CD
Sammy sings soul – not Sammy Davis Jr, but this ultra-hip Japanese singer from the early 70s – a female vocalist who works here with great backings from the Freedom Unity ensemble! The tunes are all numbers from American and British sources of the 50s and 60s – tunes you'd know ... CD
An early concept album from the great Jon Hendricks – one that tells the story of blues through jazz – all put together as a flowing story in music! Jon speaks and sings the whole tale – but also gets some help on vocals from Big Miller, Hanna Dean, and Jimmy Witherspoon – ... CD
Nice set that brings together some of Georgie's later jazz vocal tracks for Columbia/CBS – most of which are a lot more far-reaching than his earlier "beat group" recordings. Some of the material has a bit more of a rockish feel, and other stuff has more of a trippy sound, but at ... CD