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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A bit of a sleeper from Gladys Knight & The Pips, but not an album to sleep on – filled with really amazing early work from Knight & The Pips – proof that they already had a great thing going long before their later fame on Motown and Buddah! The tracks here were recorded in ... LP, Vinyl record album
The second anniversary of Gladys Knight & The Pips on Buddah Records – and an album that really shows the new level of depth the group were able to hit at the label! A key factor on the album is work by Eugene McDaniels – who produced the record, and wrote a good number of tracks ... LP, Vinyl record album
A pivotal album for Gladys Knight and group – as the record features their super-huge hit "The Midnight Train To Georgia", a landmark track that not only had a catchy pop hook, but which spoke volumes about African-American migration in the postwar years. The track's one of those ... LP, Vinyl record album
A nice set that follows the soft southern mode that Knight virtually invented in the early 70s – a style that almost takes the earlier achievements of Aretha Franklin, and redirects them to a hipper, more adult audience for the new decade – and sometimes a crossover one at that! Most ... LP, Vinyl record album
One of the last Gladys Knight albums for Motown – and seemingly a collection of work from a variety of different sessions, possibly put together to compete with her shift to Buddah Records in the mid 70s! The groove here is pretty great, often in a mode that's a bit more uptempo and ... LP, Vinyl record album
Although Gladys Knight & The Pips didn't cut their first recordings or their biggest recordings for Soul/Motown, they did still do a pretty nice job at the label – as you'll hear on this nice collection that brings together a nice batch of their best tracks. 12 tracks in all, including ... LP, Vinyl record album
One of the all-time classics from Jr Walker & The All Stars – key proof that Motown could groove even when nobody was laying down vocals! As you might guess from the title, the album features the group's huge hit "Shotgun", plus lots of other cool funky little tracks like " ... LP, Vinyl record album
Hard heavy stuff – and some of Jr's earliest work for Motown, only the second album to be issued on the small Soul subsidiary! The groove is nice and hard, with lots of original tracks done in the tenor-heavy instrumental style that was Jr's calling card during the time. Titles include ... LP, Vinyl record album
What a great record! This one seems to be nothing fancy at the outset – mostly covers of soul and pop tunes, done by The Originals in an early 70s harmony soul mode – but the overall quality of the record is incredible, with a mixture of rough and sweet vocals that sends just about ... LP, Vinyl record album