Eric Dolphy : Fire Waltz (Looking Ahead/The Quest) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Fire Waltz (Looking Ahead/The Quest)

LP (Item 53761) Prestige, 1960/1961 — Condition: Near Mint-
2LP Gatefold
70s 2-fer that combines 2 classic Dolphy sessions – Looking Ahead and The Quest. Looking Ahead is Legendary meeting between Dolphy and Ken McIntyre – and a record that's filled with sharp-edged new ideas! The pair play alto and flute, and they're backed by Walter Bishop, Sam Jones, and Art Taylor. The rhythm's perhaps more soulful than you'd expect – but the reed work is amazing, and the record's got a slyly sinister edge that still holds up extremely well. Titles include "Lautir", "Curtsy", "Dianna", and "Head Shakin". The Quest is a session that was originally recorded under the leadership of pianist Mal Waldron. Like a lot of Waldron's records from the time, this set shows an amazing desire for new forms and modern ideas, and the mix of players – Dolphy, Booker Ervin, Ron Carter, Joe Benjamin, and Charlie Persip – pulls the material in a number of different ways. Carter plays bowed cello, as he did on Dolphy's Out There session, and he gives the set a dark moody feel. Ervin's in his best modernist mode, and he ably trades lines with Dolphy and keeps the whole thing moving nicely. Waldron's writing and arranging is superb, and the tracks feature a lot of weird time structures and unusual modal patterns. Includes the tracks "Status Seeking", "Warm Canto", "Warp and Woof", and "Fire Waltz".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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