This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The Count and orchestra play arrangements by Bill Homan – with Sonny Cohn, Pete Minger, Bobby Mitchell, John Thomas, and Jack Feierman on trumpets; Al Grey, Curtis Fuller, Bill Hughes, and Mel Wanzo on trombones; Jimmy Forrest, Eric Dixon, Danny Turner, Bobby Plater, and Charlie Fowlkes on ... LP, Vinyl record album
Classic Basie Orchestra recocording, with Buck Clayton, Ed Lewis, and Harry Edison on trumpets; Benny Morton, Dan Minor, and Dickie Wells on trombones; Earl Warren, Jack Washington, Herschel Evans, and Lester Young on saxophones; Freddie Green on guitar, Walter Page on bass, Joe Jones on drums, ... LP, Vinyl record album
Excellent work from that wonderful 50s moment when Count Basie was really reinventing his band – stripping things down, getting nice and lean, and putting in this soulful kick to the rhythms that really helped modernize the groove! The set's a mix of arrangements from Ernie Wilkins, and a ... LP, Vinyl record album
Basie's working here with his New Testament Band – a new orchestra formed in 1952, after working briefly with an octet earlier in the year. The set documents the group's initial recordings for Verve/Clef – all recorded between January and December in 1952. Players include Joe Newman, ... LP, Vinyl record album
The title's not a hokey TV reference or anything like that – but a strong reminder that the Count Basie group was still very much in their prime during the 1970s, thanks especially to the recording talents that the Pablo label brought to records like this! Most of the work here was arranged ... LP, Vinyl record album
One of THE seminal Basie albums of all time – and a masterful pairing between the Count and arranger Neal Hefti! Hefti has an amazing ear for the Basie groove, and he works here to re-fit the overall sound of the group with a tighter, more fluid approach – one that ensured that they'd ... LP, Vinyl record album
Way before Sinatra first grabbed the "Chairman Of The Board" title for his own musical persona, Basie laid great claim to the tag with this tight little album for Roulette! The album's got the 50s Basie band working at the height of their powers – with original compositions written ... LP, Vinyl record album
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' ... LP, Vinyl record album
Jazz At The Philharmonic material from 1952 featuring Eldridge and Shavers on trumpet and Lester Young on tenor – with Benny Carter on alto, Flip Phillips on tenor, Oscar Peterson on piano, Berney Kessel on guitar, Ray Brown on bass, and Buddy Rich on drums – on three long tracks that ... LP, Vinyl record album
Mid 50s recordings with Dizzy's big bands, with sidemen that include Quincy Jones, JJ Johnson, Hank Mobley, Lucky Thompson, Lee Morgan, Benny Golson, Wynton Kelly, Billy Mitchell, Candido, Al Grey, and many more. LP, Vinyl record album
Although the set's a groovy batch of shorter jazz tracks, with larger arrangements by Jimmy Jones, Hodges still solos nicely, and with that trademark tone that always cuts through the b.s.! The title cut's a mis-chosen version of Petula Clark's big hit, but the record's actually got some other ... LP, Vinyl record album
Sonny Stitt's work for Verve was some of his best on record – and this album is a perfect illustration of that bold claim! Sonny's blowing here in a wonderful style – a bit more restrained than on his early bop sides, more complicated than on his later soul jazz sessions, and all ... LP, Vinyl record album