This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Quite a rare thing for a jazz album of the time – nearly 60 minutes of music on one disc, something that was almost unheard-of in the days of 30 minute sessions! As the notes explain, the whole thing sounded so good that the engineer let the tape run more than he might in a usual set – ... LP, Vinyl record album
Sweet 70s grooves from Ramsey Lewis – a set cut smack dab in the middle of his glory days at Columbia Records – with great production help and work on bass from the mighty Cleveland Eaton! The style is nice and lean, with just some occasional fuller touches – and Ramsey plays ... LP, Vinyl record album
Maybe Zoot was trying to compete with Stan Getz here, we don't know, but the groove's actually pretty great, and it's nice to hear a soloist as strong as Zoot working his way through some bossa covers. Of course this isn't authentic, but it's a nice groovy album nonetheless, and the arrangements ... LP, Vinyl record album