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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great album of mellow modern soul tracks recorded in Chaka's post-Rufus years! The record was produced by the great Arif Mardin, the man who made so many of the 70s Atlantic soul records work so well – and he handled Chaka's voice with a sweet sweet sound that you don't always get on her ... LP, Vinyl record album
One of the fantastic Duke LPs by Bobby Bland from the early 60's, with a rootsy southern soul sound that prefaces later sounds to come out of Stax and Muscle Shoals. Includes the great cut "You're The One (That I Adore)", plus "You're Worth It All", "Your Friends", ... LP, Vinyl record album
A mad bit of music from the great Bo Diddley – recorded after his early 70s funk records on Chess – but with a similar genre-tripping style! The album's got this full-on fuzzy feel right from the start – put together by producer Ron Terry, who matches Diddley's wilder side with ... LP, Vinyl record album