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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
With Vic Dickenson, Tommy Flanagan, Wendell Marshall, Osie Johnson, Kenny Burrell, Ray Bryant, Pepper Adams, Jerome Richardson, Idress Sulieman, Ronnell Bright, Ron Carter, Major Holley, Eddie Locke, Red Garland, Doug Watkins, Eddie Lockjaw Davis, and others. CD
A really special set of late work from Coleman Hawkins – shorter numbers, but played with plenty of flair with a small combo that also includes Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar, and Alvin Stoller on drums! CD
Wonderful later work by Coleman Hawkins – a player who was very much "at ease" with himself at the time, and opened up tremendously on albums like this! The format is beautiful – simple small group backings by Tommy Flanagan, Wendell Marshall, and Osie Johnson – with ... CD
A great assortment of material from Coleman Hawkins – sides that nicely span the mid 40s and late 50s, showing some great growth in his technique! The first four tracks are from a record by the Walter Foots All Stars – a group led by Foots on tenor, but also featuring Hawk – also ... CD
The Hawk Relaxes, but never lets himself go – and a set like this is a great illustration of the gentle genius that made so many later Coleman Hawkins records so great! The relaxed setting for this record is a perfect setting for Hawkins to open up and stretch out – working his tenor ... CD
A beautiful record – but that's no surprise, since most of the later work of Coleman Hawkins tends to be great! The setting is quite laidback – and Hawkins' time-weathered tenor is placed in a perfect setting with Tommy Flanagan on piano, Major Holley on bass, and Eddie Locke on drums. ... CD
Includes the songs "(It's No) Sin", "And So To Sleep Again", "Spellbound", "Lost In A Fog", "Carioca", "Midnight Sun", "If I Could Be With You (One Hour Tonight)", "I Can't Get Started", "Ruby", "Song ... CD
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop ... CD
With Ralph Moore on tenor and soprano saxophones, Bobby Hutcherson on vibraphone, Rufus Reid on bass, Victor Lewis on drums, and Mino Cinelu on percussion. CD
A wonderful album from Lalo Schfrin! This one mixes together bossa piano and sweeping string arrangements – in a style that's incredibly dark-edged and driving, with a sound that's at once spooky and lovely – a dancing groove that makes the best tracks really sparkle! The album's ... CD
A classic west coast recording by Stan – recorded at the Shrine Theater in LA in '54, with a group that includes Bob Brookmeyer on trombone and John Williams on piano! The groove is more similar to Stan's eastern sides of the time, given his bandmates here – but the sound is still ... CD