This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A lean little set from Jimmy Smith's back to basics years of the early 80s – an album that's recorded in a relatively old school soul jazz mode! Jimmy's mostly playing Hammond here – but also uses a bit of Arp strings at times – and the rest of the group members include George ... CD
A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the ... CD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... CD
As the title says, Lenny White's streamlined his sound here – but to us that's a good thing, as it eliminates some of the overly-heavy jam sound that could ruin earlier records – making for a lean, clean groove that's mighty nice, and plenty darn soulful! Plus, Lenny's working here ... CD
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint ... CD
The genius of the Chicago collective scene is firmly back in action – on this stunning second CD from Nicole Mitchell! The record is incredible – light years ahead of her debut, and a rich tapestry of sounds and colors performed by a large group that features some of the best ... CD
A great little session – and a meeting that was one of the best things to happen to the Oscar Peterson trio during the 50s! Stan's tone fits perfectly with the group here – and his playing next to the guitar of Herb Ellis recalls many of the fine strengths of the early 50s Getz sides ... CD
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his ... CD