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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pivotal album in the career of Billie Holiday – an early 10" album that marks her return to the recording studios after a bit of a hiatus – working here with a well-picked Verve group that includes Flip Phillips on tenor, Charlie Shavers on trumpet, Barney Kessel on guitar, and ... LP, Vinyl record album
The third collection of Billie's Verve studio recordings, produced by Norman Granz. Billie's backing group includes performances by Benny Carter, Harry Edison, Barney Kessel, Jimmy Rowles, Paul Quiichette, and Wynton Kelly, and features the songs "Trav'lin Light", "April In ... LP, Vinyl record album
24 great numbers from Billie's first couple of years recording for Verve, capturing her at her prime with a number of great little groups. Includes "How Deep Is The Ocean (How high Is The Moon)", "He's Funny That Way", "Love For Sale", "You Go To My Head", ... LP, Vinyl record album
One of Billie's last recordings, and an incredibly striking batch of songs arranged by Ray Ellis with a sad, fragile ege that's perfect for the style of her later work. Billie's voice is faltering, but in a way that only makes the songs sound more personal and more compelling – and although ... LP, Vinyl record album
One of the greatest, straightest sets from Mel Torme – an all-classic batch of tracks that's quite different than his other album for Columbia! Torme checks in as a totally committed, totally serious jazz vocalist here – with an impeccable approach to the music that puts this album ... LP, Vinyl record album
A classic set from singer Lee Wiley – and proof that she was one of the best small group jazz vocalists of her time! The album's got a nice small combo swing mode – with players that include Bobby Hackett, Joe Buskin, and Stan Freeman – all backing Lee in a mellow set of familiar ... LP, Vinyl record album