A really great collection of Chess Records work by JB Lenoir – one of the more unusual singers on the Chicago scene at the time – and one with a sound that's pretty darn great all the way through! Lenoir's tone is a pitch or two up from most of his contemporaries – not as gritty and deep, and with inflections that almost point the way towards soul singers in the generation to come. Yet the backings are definitely in the best Windy City modes of the time – as Lenoir plays some great electric guitar, alongside Alex Atkins on alto, Ernest Cotton on tenor, Joe Montgomery on piano, and Willie Dixon on bass. The set mixes vintage singles with a few unreleased tracks – and titles include "Natural Man", "Don't Dog Your Woman", "Don't Touch My Head", "Five Years", "Mama What About Your Daughter", "Korea Blues", "Let Me Die With The One I Love", "I'm In Korea", and "Carrie Lee". © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.