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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Groundbreaking early work from Stan Getz – a 12" LP that compiles earlier recordings made for Prestige at the end of the 40s – all of which are a perfect exercise in tone, timing, and balance! The setting is simple – quartets with either Al Haig or Tony Aless on piano – ... LP, Vinyl record album
Wonderful stuff – a mid 50s LP that compiles some of Stan Getz's best icy sides for Roost Records – material that has the tenorist blowing in a way that really had folks sit up and take notice! There's some of the warmth of Lester Young in Stan's playing here, but also a crisp, modern ... LP, Vinyl record album
A great little session – and a meeting that was one of the best things to happen to the Oscar Peterson trio during the 50s! Stan's tone fits perfectly with the group here – and his playing next to the guitar of Herb Ellis recalls many of the fine strengths of the early 50s Getz sides ... LP, Vinyl record album
Stan Getz makes a key musical trip to Sweden – to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish ... LP, Vinyl record album
An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect ... LP, Vinyl record album
Somehow it seems to us that the members of Return To Forever always cut better albums under their own names than for RTF, but these sides are still not without their merit. Like everyone else, we're rethinking our distaste for fusion, and this set finds Chick Corea, Lenny White, Stanley Clarke and ... LP, Vinyl record album
Hard grooving work from the middle years of the Return To Forever group – featuring the line up with Chick Corea on keys, synths & percussion, Stanley Clarke on bass, organ and more, Lenny White on percussion and Al DiMeola on guitar. As you'd expect from this crew, this is some of the ... LP, Vinyl record album
Given that Chick Corea first got his start working in the New York Latin scene back in the 60s, the album's a bit of a return to his roots – even if the general theme here is Spanish, and not Afro-Cuban! The Corea Spanish Heart here is cast in some darker, more contemplative tones than more ... LP, Vinyl record album
A very unique session that features the often-modern tenor sax of Lucky Thompson in the company of bluesman Sammy Price, who plays piano and sings on a number of the tracks on the record. Amazingly, Thompson's raspy tenor tone is a perfect fit with the style of the recording – laying down ... LP, Vinyl record album