This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An important early album from reedman Mats Gustafsson – and one that has him working with older free jazz giants Barry Guy on bass and Paul Lovens on a range of percussion instruments, including a musical saw! Mats is clearly the star of the set – already an amazing master of tones, ... CD
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work ... CD
Powerful work from the Free Music Ensemble of Ken Vandermark, Paal Nilssen-Love, and Nate McBride – a set recorded in Oslo with the intensity of some of the older power trio sessions from the Scandinavian scene! Vandermark, as always, is a commanding presence on reeds – blowing with ... CD
A mighty mighty album that recalls the glory days of the FMP scene – a triple-talent terror that features the massive reed work of Mats Gustafsson, Ken Vandermark, and Peter Brotzmann! Given that Gustafsson and Vandermark are the two key heirs to the sound that Brotzmann first forged back in ... CD
Some of the most beautiful, introspective work we've heard in years from Ken Vandermark – spare duets with pianist Pandelis Karayorgis – done in a mode that almost recalls the best experiments of Lee Konitz or Jimmy Giuffre from many years back! The sound is spare, but never too sleepy ... CD
Uri Caine on piano and keyboards, David Binney on alto saxophone, Ralph Alessi on trumpet, Mark Feldman on violin, Aaron Bensoussan on vocals and oud, DJ Olive on turntables and electronics, Michael Formanek on acoustic bass, and Jim Black on drums. CD
A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver ... CD
Earl Hines leads a group that includes special guests like Roy Eldridge and Coleman Hawkins – and the material's a relatively traditional batch of tunes, done in Earl's classic piano style. The group performs an extended "Portrait Of Fats Waller", plus shorter tracks like "C ... CD
One of Lonnie Liston Smith's most spiritual sessions, and the record that most clearly shows his roots with Pharoah Sanders! The vibe here is much more jazz-based than on some of Lonnie's other records for Flying Dutchman – with Smith playing as much acoustic piano as he does electric, using ... CD