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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
No real date or personnel on this one, and the album's a live set recorded, most likely, at some time in the 50s. The quality of the recording isn't great, and you hear a heck of a lot of crowd noise – but the work's an interesting document of Pres during the period, as the tunes are all ... LP, Vinyl record album
A beautiful session that was Lester Young's last-ever recording! The session was cut in Paris in 1959, and features the rhythm section of the famous Blue Note club, home to many American expatriots in France at the time. Kenny Clarke plays drums, Jamil Nasser plays bass, Rene Utreger is on piano, ... LP, Vinyl record album
A collection of earlier sides that Young recorded for Savoy, released after his death, and featuring various small groups that include such players as Freddie Greene, Count Basie, Junior Mance, Roy Haynes, Billy Taylor, and Cozy Cole. Tracks include "Blues N Bells", "Ghost Of A ... LP, Vinyl record album
A wonderful follow-up to the first Montreux Summit album – and like that classic, a groundbreaking assemblage of some of the best jazz musicians of the 70s! The format here is slightly different – with more of a focus on smaller groupings of musicians, but still with a really fresh ear ... LP, Vinyl record album
Baroque Sketches shows the wider reaching side of Art Farmer, and features him soloing over large arrangements of material that have a distinct "baroque" approach. The settings are complicated, but Farmer's deft work is more than enough to match the scene – and he responds with a ... LP, Vinyl record album
Hilarious! Always one to try to prove that he wasn't just a stodgy uptowner, Leonard Bernstein cut this album as a "guide to jazz" – featuring narration by Mr. B himself, plus playing by Miles Davis, Buck Clayton, Teo Macero, and Louis Armstrong. The record traces the evolution of ... LP, Vinyl record album
Sweet later work from guitarist Wilbert Longmire – a warm mixture of soul and funky jazz – and easily one of the better records to come from the Tappan Zee label at the time! Production is by Bob James and Jay Chattaway – with an R&B-inflected vibe that's a bit like some of ... LP, Vinyl record album
John McLaughlin's the only one pictured on the front cover, but the album's definitely still a highly-collaborative effort from the Shakti group – one that's awash in sounds and styles from Indian music! L Shankhar's violin is used almost as strongly as McLaughlin's guitar – with a ... LP, Vinyl record album
Don't be too put off by the title – which might make you think that the album's a bunch of flowery instrumentals – because it's actually a pretty strong set of tunes from trumpeter Joe Wilder, recorded with a bit of polish, to be sure, but in a way that lets him take the lead, solo-wise. ... LP, Vinyl record album
One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, ... LP, Vinyl record album