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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
No real date or personnel on this one, and the album's a live set recorded, most likely, at some time in the 50s. The quality of the recording isn't great, and you hear a heck of a lot of crowd noise – but the work's an interesting document of Pres during the period, as the tunes are all ... LP, Vinyl record album
A collection of earlier sides that Young recorded for Savoy, released after his death, and featuring various small groups that include such players as Freddie Greene, Count Basie, Junior Mance, Roy Haynes, Billy Taylor, and Cozy Cole. Tracks include "Blues N Bells", "Ghost Of A ... LP, Vinyl record album
An important larger work from Duke Ellington – a suite of tracks that encompasses a range of styles and emotions in African-American expression! The work features some key guest work from Mahalia Jackson – singing here in a way that's different than other vocalists who worked with Duke ... LP, Vinyl record album
Heavy soul from the Roy Meriwether Trio – picking up at a place where the Ramsey Lewis trio first began, and taking things to a very soulful extension! The tunes are straightforward soul jazz, played with a heck of a lot of fire in the rhythms – thanks to bassist Isaas Sloan and ... LP, Vinyl record album
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
A pretty sublime album from Bill Evans – one that has him playing both Fender Rhodes and Steinway, overdubbed together, for an effect that's laidback and completely wonderful! The Fender Rhodes was a natural choice for Evans – given his fluid lyrical style, and on this set (and on his ... LP, Vinyl record album
This was recorded during a Mexican tour in 1968 and features Brubeck on piano, Gerry Mulligan on baritone sax, Alan Dawson on drums and Jack Six playing bass. The record is mainly composed of Brubeck and Mulligan originals such as "Jumping Bean", "Indian Song", "Tender ... LP, Vinyl record album