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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Seminal sounds that bridge the worlds of swing and bop – mostly recorded for Svoy in 1944, the earliest days of the label – with a few tracks from 1949 as well – and a number of alternates appearing here for the first time ever! LP, Vinyl record album
A lost treasure from Lester Young – previously unreleased live material from the 50s, recorded in a style that's a fair bit different than some of his studio work of the decade! The set took place at the Patio Lounge in Washington, DC – and was recorded by Bill Potts, who is also the ... LP, Vinyl record album
Lester Young definitely swings here – on material from a number of different Verve albums of the early 50s – with work from Nat King Cole on piano and Buddy Rich on drums on one session – plus more work from either Hank Jones or John Lewis on piano, and Buddy Rich and Jo Jones on ... LP, Vinyl record album
Lester Young joins the Oscar Peterson trio – and the result is a classic meeting of the minds from early 50s Verve! Young's tone is tremendous throughout – that sharp-yet-cool style that had such a big influence on other 50s players, and which gets some great support here from Peterson' ... LP, Vinyl record album
A pairing of 2 mid-50s sides by Lester Young for Verve – one album recorded with Teddy Wilson on piano, the other with Oscar Peterson – hence the title! The Wilson session was recorded in 1956, and featuers Gene Ramey on bass and Jo Jones on drums – with tracks that include " ... LP, Vinyl record album
No real date or personnel on this one, and the album's a live set recorded, most likely, at some time in the 50s. The quality of the recording isn't great, and you hear a heck of a lot of crowd noise – but the work's an interesting document of Pres during the period, as the tunes are all ... LP, Vinyl record album
Tony Williams is a million miles from his work with the Miles Davis Quintet on this record – grooving in a heavy rock/fusion mode with his New Lifetime group that includes Allan Holdsworth on guitar, Tony Newton on bass and vocals, and Alan Pasqua on keyboards! The tracks have a post Jeff ... LP, Vinyl record album
Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength ... LP, Vinyl record album