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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Rare live material from Duke Ellington – first issued back in the 70s, but undoubtedly recorded decades before! The set's got a nicely gritty feel – that Ellington orchestra approach before they'd gotten too sure of themselves, and had lots of sharp edges – as you'll hear in the ... LP, Vinyl record album
In the years after Charlie Parker passed away, tributes to his greatness were a very common thing in local jazz scenes across the US. This is a prime example of that tradition, but way more than that, it's also a killer Chicago jazz session from the old days – featuring trumpeter Ira ... LP, Vinyl record album
The son of Harpo Marx lays down some groovy west coast jazz – in a combo that also includes Paul Horn on flute and alto, Jack Sheldon on trumpet, and Larry Bunker on vibes – plus great rhythms from James Bond on bass and Lawrence Marable on drums! LP, Vinyl record album
A great batch of material that Art Farmer recorded for Prestige in the early fifties. This is way before he got hyper-lyrical, and his playing is raw and hard on a bunch of Quincy Jones arrangements, including the savage cut "Mau-Mau", which features a very early use of the electric bass ... LP, Vinyl record album