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Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Obscure midwest group with Rufus Reid on bass and Art Hoyle on trumpets. There's a vague Sun Ra connection here, which mostly manifests itself in the record's cool spare spacey sound. The standout cut is "Frump Trump", which has a nice hard boogaloo sound, and a great breakbeat on the ... LP, Vinyl record album
Gloria Coleman was one in a long line of swingin' female organists, and is probably closer in that lineage to Trudy Pitts than to more straight jazz players like Shirley Scott. This LP has her doing organ and vocal stuff alongside an ensemble of guitar, tenor, and trombone. There's funky stuff ... LP, Vinyl record album
A great album from Shirley Scott – with some excellent arrangements by Gary McFarland! We've always felt that Shirley plays best when she's not leading the group – when someone else is handling the arrangements, so that she can groove mightily on her own – and this album is a ... LP, Vinyl record album