This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Great live material from Wes Montgomery – very nicely recorded, and featuring the bulk of a live show that took place on March 27, 1965, in Paris! The group features Harold Mabern on piano, Art Harper on bass, and Jimmy Lovelace on drums – and the overall approach of the record is ... CD
Classic CTI material including "California Nights", "Yesterday", "Butterfly", "A Day In The Life", "When A Man Loves A Woman", "Know It All (Quem Diz Que Sabe)" and "My Favorite Things" – 20 cuts in all. CD
Includes the songs "Round Midnight", "Four On Six", "Klactoveedsedstene", "Says You Remember", "Cotton Tail", "Jingles", "Cariba", "Tune Up", "Dearly Beloved", and "Freddie The Freeloader". CD
Includes the songs "Lolita", "Yesterdays", "Delilah (Take 4)", "Polka Dots And Moonbeams", "Double Deal", "Body And Soul (Take 7)", "Delirium", "Besame Mucho (Take 3)", "One For My Baby (And One More For The ... CD
With Monk Montgomery on bass, Buddy Montgomery on piano, Louis Hayes and Tony Bazley on drums, Pony Poindexter on alto saxophone, and Harold Land on tenor saxophone. CD
Early greatness from Wes Montgomery – and a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger ... CD
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely ... CD
A great tribute to the late bassist Jimmy Blanton – served up by his old boss Duke Ellington, working here on piano alongside the bass of Ray Brown! This spare piano/bass session is a rarity in Duke's catalog – and it's a real later gem that captures the warmth and imagination of the ... CD
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, ... CD
Three slices of rare work by Duke Ellington – all recorded previously as semi-private recordings, and issued here in a short-lived 70s set! As you'd guess by the title, the tracks are all in "suite" form – that broader compositional style that dominated Ellington's later work ... CD
A great example of why the Swingville label was such a great idea – a perfect setting for older players to have a chance to relax in the studio and really do their thing – hitting the sort of notes they might reach in a late-nite set at a club, without all the pressures to try for a ... CD