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Love Confessions
LP (Item 532557) Atlantic, 1987 — Condition: Near Mint-
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Miki Howard at the top of her game – just the sort of record that had her standing out as one of the best new vocalists in soul during the second half of the 80s – and one of the few who could draw on the classic styles of earlier divas like Patti Labelle or Phyllis Hyman! Like both of those two, Howard's got a great range, but never pushes things to far – just effortlessly taps into the right modes at the right moments – and opens up with a flow that's a lot more timeless than some of the other soul albums of the time. There's certainly a few crossover numbers that are a bit pop, but there's also lots of the mellower, more serious numbers that Miki does so well. Titles include a duet with Gerald Levert on "That's What Love Is", a nice reading of Earth Wind & Fire's "Reasons", an update of the standard "You've Changed", and the tracks "Baby Be Mine", "In Too Deep", "I Wanna Be There", and "Bitter Love". © 1996-2025, Dusty Groove, Inc.
(Cover has a hype sticker & promo stamp, cutout notch, some surface wear, corner bump.)
(Cover has a hype sticker & promo stamp, cutout notch, some surface wear, corner bump.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially if it is release or pressing details, or an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear, or strictly cosmetic flaws.
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