This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A melodic, lightly bumping batch of lively grooves from Bonobo – a seamless weave of beats and live instrumentation that creates a great mood and defies easy categorization! The beats are generally at the forefront of the songs, and we're glad to say that Days To Come is really about the ... CD
A full collection of hard to find remixes by London's Bugz In The Attic – easily one of the most influential remix teams of the past decade, with a groundbreaking sound that crackles and bristles with plenty of electric beats and fuzzed-out bass! The tracks on the set are from a variety of ... CD
Hardly the chillout set you might expect from the cover – no beachy cliches at all – and instead, a killer batch of underground soul and club tracks, put together in a way that really represents some of the most exciting musical growth of the past few years! There's a classic sound at ... CD
A massive record – and an instant legend the day it was released! Masters At Work host the beautiful meeting of a host legendary artists – Roy Ayers, George Benson, Eddie Palmieri, Tito Puente, Jocelyn Brown, Vince Montana, and others – all united in a magical session that brings ... CD
Gordon Grdina on oud, Christopher Kelly on saxophone, JP Carter on trumpet, Francois Houle on clarinet, Jesse Zubot and Josh Zubot on violin, Emad Armoush on vocals and ney, Marc Ribot on guitar, Tommy Babin on bass, Kenton Loewen on drums, Tim Gerwing on darbuka, and Liam Macdonald on riq. CD
Ben Webster takes on a whole hose of Duke Ellington tunes – but in a series of late life recordings that are definitely more Webster than Duke! The tenor is strong in the lead here, and Webster blows with that great later tone of his – a mode that's soaked in all the many years he ... CD
The poem here is written on the piano of Yuya Wakai, a wonderfully sensitive player who manages to create all these lyrical twists and turns, while still maintaining a gentle swing! The album features mostly original material by the members of the group – a trio that includes Satsuki Kusui ... CD