This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Great live material from Wes Montgomery – very nicely recorded, from a live show that took place on March 27, 1965, in Paris! The group features Harold Mabern on piano, Art Harper on bass, and Jimmy Lovelace on drums – and the overall approach of the record is quite different than some ... CD
Tracks include "Impressions", "Mellow Mood", "Misty", "Portrait Of Jenny", "If You Could See Me Now", and "James & Wes". Featuring Wynton Kelly on piano, Jimmy Smith on organ, Paul Chambers on bass, and Jimmy Cobb on drums. CD
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy ... CD
Early greatness from Wes Montgomery – and a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger ... CD
Classic Bud Powell trio work for Verve – recorded with Max Roach on drums, adding a nice edge to the session! The record features some of Powell's classics – like "Tempus Fugit", "Strictly Confidential", and "Celia" – plus other haunting renditions ... CD
Not a best-of, as you might guess from the title – but a really special set of late work from Hawkins – shorter numbers, but played with plenty of flair with a small combo that also includes Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar, and Alvin Stoller on drums! CD
A classic meeting of two giants from the early years of bop – altoist Charlie Parker and trumpeter Dizzy Gillespie – brought together here in a session that Norman Granz would later list as one of the truest realizations of his vision for recording jazz music! Parker's sharp lines are ... CD
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and ... CD