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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... LP, Vinyl record album
A pair of great unreleased Stanley Turrentine albums for Blue Note – issued here for the first time ever! First up is Comin Your Way – one of our favorite-ever albums from the great Stanley Turrentine – a really hard-burning session from his earliest days as a leader – and ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album
Blue Note double LP that compiles every single trio recording that Horace Silver did for the label. The range of material runs from 1952 up through 1968, and although all the stuff was released previously, this set's just about the only way you can really focus on Horace's work in this type of ... LP, Vinyl record album
Nice laidback spiritual funky tunes, played by Eddie on trumpet with a group that includes Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, and Pat Gleeson on cool Arp and Moog. The tracks are long, with a nice spacey groove, and the titles include "Spiritual ... LP, Vinyl record album
Nice late night session that has Jimmy Forrest's deep deep tenor fronting a quintet that includes guitarist Calvin Newborn and pianist Hugh Lawson. The groove is nice, easy, and very relaxed, with the kind of St. Louis soul jazz playing that made Forrest a legend back in the 60's. You'll ... LP, Vinyl record album
Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep ... LP, Vinyl record album
Oscar Peterson, Roy Eldridge, Sonny Stitt & Others
The Oscar Peterson trio of the 50s – both by itself, and augmented by some great horn work too – all recorded live at the Newport Jazz Festival in 1957! Side one of the album features the group alone – Oscar on piano, Herb Ellis on guitar, and Ray Brown on bass – all in ... LP, Vinyl record album
Late work by Webster and Byas – playing here with backing by a European rhythm section that includes Tete Montoliu on piano and Peter Trunk on bass, plus American Albert Heath on drums. The tracks are mostly long and open – with the main focus on letting the two tenor giants solo as ... LP, Vinyl record album
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than ... LP, Vinyl record album
A beautiful album of dark-hued vocals – sung by Johnny Hartman with a quality that's as smokey as the image of him with a cigarette on the cover! The album set a whole new standard for male vocal jazz in the 60s – and is a distillation and refinement of earlier ideas in music by Billy ... LP, Vinyl record album