This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A great CD that combines most of the material on Art's two albums for Argo – Art (1960) and Perception (1961). Art is a beautiful album of understated brilliance – one of Farmer's early shifts into the sublime, an easily blown batch of trumpet tracks played with trio backing by Tommy ... CD
A killer record by Shirley Scott and Stanley Turrentine – and quite possibly the best they ever did together! The lady organist and husband tenorist play hard, firm, and strong – and the backing by Earl May and Grasella Oliphant is right in the pocket, and bubbles with a nice strong ... CD
Bob Brookmeyer's got a dual role here – not just working in two different groups, but also on two different instruments as well! The record's a wonderful early example of the sense of space and timing that instantly made Brookmeyer one of the freshest talents of his generation – ... CD
Gritty live work from twin tenor giants Gene Ammons and Dexter Gordon – recorded in an open-ended style that's a bit like some of Gordon's famous early work on the Central Avenue scene in LA, or Ammons' famous live "battles" with Sonny Stitt! The date was recorded in Chicago at the ... CD
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 ... CD
A great assortment of material from Coleman Hawkins – sides that nicely span the mid 40s and late 50s, showing some great growth in his technique! The first four tracks are from a record by the Walter Foots All Stars – a group led by Foots on tenor, but also featuring Hawk – also ... CD
Classic Jug, playing in a laidback open-ended blowing session, with other strong Prestige players – like Coltrane, Jerome Richardson, Paul Quinichette, Art Taylor, and Mal Waldron, who always seems to be the driving force between most Prestige sides like this. The album has only 4 tracks, ... CD
Some of the best work ever from pianist Billy Taylor – and some of the earliest too! Taylor's 50s trio with Earl May and Percy Brice is augmented here by conga work by the great Candido – and this addition brings a lot of fire to the group, giving Taylor's normally safe style a harder ... CD
Exellent late work by Hawk – way darker than you'd guess! The set features Coleman Hawkins as the main soloist with the Red Garland trio, and it's got a very open-ended session that has him blowing tones and phrases that you'd never hear on his earlier albums – moody, angular, and ... CD
Important early work from Jaki Byard – one of his first records as a leader, and a wonderful set of quirky piano trio tunes! Jaki's working here with Ron Carter on bass and Roy Haynes on drums – in a format that's similar to other trio records of the time, but which is really pushed to ... CD
Great trio material from Red Norvo recorded with two different groups but both featuring the same vibes-guitar-bass arrangement. The first features Jimmy Raney on guitar and Red Mitchell on bass, the second subsitutes guitarist Tal Farlow. Tracks include "Somebody Loves Me", "Prelud ... CD
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 ... CD